Creative Designer & Developer specializing in Visual & Web Design, and Front-End.

Open to work —

An open index of my web builds, UI concepts, and editorial layouts. This is a space for all the work — from raw concepts to finished work.

Just breaking grids, testing typefaces, building concepts, and experimenting out in the open.

( Selected and Unselected )

Cream exhibition landing page with an oversized red CAL ARTS wordmark layered behind black-and-white photos of a profile portrait, reaching hands, and a crowded staircase.
Cream info page with a large red quotation-mark shape and gallery dates beside a photo of a museum interior hung with framed paintings, plus a column of exhibition body copy.
CalArts Exhibition '26 // web layoutweb concept, 2026
Fonts: Fjalla One & Ga Maamli
Split studio landing page: a group portrait of six people in streetwear on a black sofa beside an olive panel with nav links, service lines, contact details, and a large lowercase atelier wordmark with an 05 badge.
Cream poster with staggered olive serif type reading Find the Groove, Live in the Grid — the 05 badge nested inside the O — above a seated figure in head-to-toe beige monogram print, face obscured.
Brand mockup on a green workwear jacket: layered translucent cards in charcoal, olive, and cream carrying the 05 badge and a statement about editorial layout meeting digital experience.
ATELIER 05 // studio identitybrand concept, 2026
Fonts: Instrument Serif & LINE Seed JP
Red-lit concert web layout of a silhouetted crowd with raised hands; bold red BENSoN BOoNE lettering with yellow mystical magical script overlaid
Red-toned tour web layout of a singer; cream and yellow city names list Los Angeles, San Jose, Pasadena, Sacramento, San Diego
BENSON BOONE - Mystical Magical Tour // web layoutweb concept, 2026
Fonts: DIN Condensed & Mr Dafoe
Editorial frame on black with an orange and black Air Jordan 1 Mid, labelled Shattered Backboard with coordinates
Orange frame with a Nike swoosh, dense body copy, and a large numeral 23
Grey frame with oversized AJ lettering and a photograph of a basketball player mid-shot
NIKE AJ1 // layout serieseditorial concept, 2026
Fonts: Maitree & JetBrains Mono
Blush cover with oversized red RENAISSANCE UNFIXED headline overlaid by a looping script U, beside a photo of a model in a crocheted crown, white sunglasses, and a gold-embellished navy blazer.
Split spread: a red panel titled The Modern Dauphin listing garment details in condensed caps, next to a full-length runway shot of the embellished naval blazer and wide-leg trousers.
Blush editorial page with a close-up of the gold safety-pin embroidered blazer, a headline reading Essay on Tailoring and Silhouette, and dense justified body copy under The Heirloom Paradox.
RENAISSANCE UNFIXED // fashion editorialNeweditorial concept, 2026
Fonts: Sofia Sans Extra Condensed & Pinyon Script
Vogue digital cover on off-white, with a serif Archive & Horizons headline over a warm-toned photo of three models reclining together and a small black-and-white portrait of a man reading a magazine.
Editorial spread with an enormous serif 1961 numeral, a black-and-white portrait of a face behind tulle, justified body copy on intentional fashion, and a cropped color detail of leopard print and jewelry.
Closing spread with two warm golden-hour portraits of a model holding a Vogue issue, an oversized lowercase vogue wordmark, body copy on silhouette and color, and a city index: Paris, New York, Milan, Tokyo, London.
VOGUE // digital editioneditorial concept, 2026
Fonts: Jacques François & Gentium Basic
Tan editorial page with a bold Gerry Rafferty headline, a black-and-white live photo, and dense body copy about Right Down the Line, overlaid by oversized chartreuse display type.
Chartreuse spread titled Retrospective No.1978 — Archival Sonics, with three columns of black body copy on the song's production and legacy, plus marginal figure notes and chart positions.
GERRY RAFFERTY // music essayNeweditorial concept, 2026
Fonts: Asta Sans
Grainy black-and-white night photo of a woman seated on a ledge in a leather trench and Jordan sneakers, overlaid with serif type reading After Hours, Before Anything Else, above a red panel of body copy.
Near-black close-up of an embroidered Nike swoosh on dark fabric with a rope chain, a small red block labelled Editorial / Nights in Motion, Issue 04, and columns of light serif body copy.
NIKE — AFTER HOURS // night studyLatesteditorial concept, 2026
Fonts: Kaisei Decol & Joan
Dark editorial hero with oversized lavender ECL–F25 lettering on black, inset portraits of a man in an olive overcoat and a grey blazer, plus collection stats.
Left panel of lavender body copy and a brushstroke eclipse wordmark on black; right, a man shot full-length in a rust suede jacket, olive scarf, and dark trousers.
ECL–F25 // fashion spreadeditorial concept, 2025
Fonts: Maitree & JetBrains Mono
Electric blue feature page with a large white headline reading Satire, Cigarettes, The Art of the Unfiltered Frontman, beside a black-and-white photo of a musician in headphones pointing upward.
White spread with a black-and-white photo of the singer at a mic, a handwritten blue pull-quote about honesty and mess, a bold blue THE 1975 wordmark, and columns of body copy.
Matty Healy - THE1975 // culture featureNeweditorial concept, 2026
Fonts: Hanken Grotesk & HanziPen TC
Split web hero: seated player holds a green-and-black Wilson racket on court beside a ball can, next to a mint panel with dark green BOSTON wordmark and lime script.
Mint schedule panel listing tournament rounds and dates beside a photo of an olive Showtime-print sweatshirt, a vintage Slazenger wooden racket, and a tennis ball on wood slats.
BLANC INV. '26 // web layoutweb concept, 2026
Fonts: Epilogue & League Script
Editorial spread: a red-kitted ice hockey player mid-slapshot on the left, beside a large maroon 1Z monogram, a blackletter subtitle 'A Study in Sub-Zero Dynamics', and body copy numbered 01.
Deep red spread with oversized white blackletter type reading 'Silent Glide, Shattering Impact' overprinting a photo of a hockey player shooting, plus two columns of body copy on the mechanics of the game.
SUB-ZERO // type studyNeweditorial concept, 2026
Fonts: Grenze Gotisch & Gulzar
Monochrome close-up of a curly-haired person with glitter under the eyes and a nose ring, above bold coral SCHIBSTED GROTESK lettering on black with small credit labels.
Salmon-pink and black typographic layout of overlapping tilted posters with fragmented MNCHRM and MVFWRD lettering and labels like brutal, uncompromising contrast, grayscale archive.
MVFWRD VOL-01 // type specimentype concept, 2026
Fonts: Schibsted Grotesk & Barlow
Two overlapping Matcha Nichi menus, one olive green and one cream, listing matcha drinks and sweets with Japanese subtitles and prices, held against a blurred café backdrop.
Olive green typographic spread with the Satoshi typeface name centered in cream, surrounded by oversized cropped letterforms and columns of small placeholder specimen text.
Two Matcha Nichi business cards on a bed of green matcha powder: an olive card with contact details and a charcoal card with the cream wordmark and Japanese logo.
MATCHA NICHI // brand identitybrand concept, 2025
Fonts: Satoshi
Cream landing page with a large navy blackletter-serif TUESDAY wordmark tagged Old Money Lifestyle, a nav bar, and a photo strip of an ornate carved-arch interior below.
Two-column editorial layout: a framed photo of a sunlit classical villa interior with wry navy copy, beside a woman in a white blazer and straw hat seated at a café table.
tuesday // web layoutweb concept, 2026
Fonts: Moderustic & Manufacturing Consent
Black editorial page with a large cream headline mixing upright and italic type about Serein whispering confidence, two columns of small-caps body copy, and an inset photo of a woman holding the fragrance bottle to her cheek.
Split hero: a deep red panel with THE Scent Of Calm headline and nav bar, beside a product shot of the Serein perfume bottle with a black domed cap on draped white fabric.
Black scent-notes section: a woman in red holding the Serein bottle beside grounded copy, above a large mixed upright-and-italic headline reading notes of iris, cedarwood, and rain-washed skin, punctuated by small inset images of iris petals, stacked cedar blocks, and dewy skin on red silk.
SEREIN // web layoutweb concept, 2026
Fonts: Jost & Gabarito
Product page with an italic Le Grand Vin heading, a giant pale-pink 2019, and Cabernet Sauvignon tasting notes beside a dark bottle with a crested cream label.
Dark wine-cellar hero with racked vintage bottles; oversized red MAISON VALMONT wordmark overlaid with a cream Napa Valley script and EST. 1974.
Maison Valmont // editorial websiteweb concept, 2025
Fonts: Bebas Neue & Castoro
About

I'm Ryodgie ( ree-yoh-jee ). It rhymes with nothing.

Front-end designer and developer. I chase editorial layouts, typefaces, and grids that actually hold, then go build the thing in Astro, React, or Vue. Sometimes I wander into the backend to see where the data's coming from, or poke at AI tools and lose an afternoon.

I can't look at a menu, a poster or a badly kerned shopfront without rebuilding it in my head. This has been happening since long before anyone paid me for it. Most of the work on this page comes from exactly that — no client, no brief, no one telling me the logo should be bigger. Just things I wanted to see exist.

I got here sideways. I spent a decade in customer experience for major publications like Tribune Publishing and the Los Angeles Times. Eventually, I made the pivot—doing front-end at MC2, then visual design for AI training models at Wirestock. Different rooms, same instinct — noticing when something's off and wanting to fix it.

I make things nobody asked for. Ask me for something —